The dance performance by the Jane Franklin Dance Company that featured the bone bridge went very well. I love this photograph from the performance.

On Saturday I received a studio visit from Candace Groot, Christina Bothwell and Stanley Shetka, who were all in town to jury this year's Virginia A. Groot Foundation grant awards, along with Tim Tate, who was last years recipient of first place.

The Virginia A. Groot Foundation was founded in 1988 to award grants to sculptors so that they may have the opportunity to devote a substantial period of time to the development of their work.  It's a foundation that has made a significant impact on the lives of many sculptors.

Below is  a group photo, showing Candace Groot in the center surrounded by former winners of the award, two of whom have studios in our complex!

Left to Right: Martha Jarvis Jackson, Tim Tate, Candace Groot, Stanley Shetka and Christina Bothwell.


The visit turned out to be great fun. It's always a treat to talk shop with other artists, especially if they work in your medium.

After meeting Christina, I was intrigued by her description of her glass and ceramic work
 and was delighted to discover her work online. Simply incredible. I especially love the glass birds embedded within the figures.



Christina Bothwell



In my work I am drawn to the processes of birth, death, and renewal. What lies below the surface fascinates me and I try to capture the qualities of the "unseen" that express the sense of wonder that I feel in my daily existence. I am attracted to glass because it can do everything that other sculptural media can; in addition, it offers an inner space and transmits light.

My subject matter includes babies, animals, and children as they embody the essence of vulnerability that is the underlying theme in my work. Currently I am exploring metamorphosis as a topic, and have been incorporating figures within figures in my pieces. Within each glass figure there is a smaller figure seen through the surface of the glass.

I think of these pieces as souls, each being pregnant with their own potential, giving birth to new, improved versions of themselves.

Christina Bothwell

SOLO SHOW Laborious Futility by Elena Patino

Friday night was the opening night for the solo show of my studio mate, Elena Patino  at Hillyer Art Space near Dupont Circle and, as usual for their openings, was hugely crowded with live music and tons of people.

It was so much fun and really gratifying to see the works completely installed after only glimpsing small sketches in process in the studio.

One of the things I enjoy the most about sharing studio space is being exposed to work that is 360 degrees different from my own. I have been really intrigued by Elena's transformation of small, common, everyday objects into larger installations, a process so different from my own work with clay.

It was difficult to determine my favorite piece- I was torn between the rhythmic installation of clear drinking straws that wrapped around two walls and the colorful installation of wire and felted balls that exploded in orderly profusion from the wall.

Elena in front of her installation of felted balls and wire

Materials: Felted wool balls, wire

Materials: Glass baby food jars, water and colorants

Materials: Drinking straws and pins

Materials: Clear plastic tubing and fiber

The accumulative processes used in the making of Elena's pieces make reference to a variety of different aspects of the human condition.  Labor, migration and consumption are all subtly examined through her obsessively replicative methods of construction and systems of assemblage.

Laborious Futility adapts from Patino's previous engagement in the construction of organic structures based on repetition with a strong connection to fiber arts. While not always made with fiber materials, the work borrows from the pliable quality of textiles.

Hillyer Art Space

9 Hillyer Court NW, Washington, DC 20008 USA

T 202.338.0680 | F 202.333.0758 | www.artsandartists.org | 

Gallery Hours: 10am - 5pm Monday, 10am - 7pm Tuesday - Friday, 11am - 4pm Saturday.

I went to  the American Craft Council show this past weekend and saw some gorgeous artwork. One of my favorites was Michele Renee Ledoux, who creates lyrically beautiful encaustic paintings which incorporate found objects. To see more images and read more about her work CLICK HERE

"Tapping into primal archetypes—recurring symbols and experiences shared by all across time—is a primary focus of my work. A philosopher at heart with a passion for metaphysical debate, I am drawn to the duality of all things, the complexity of simplicity and the perfection of imperfection.  I am further inspirited by the study of quantum physics and theories of consciousness and energetics, all of which are reflected either explicitly or obscurely in my work.

Free from commitment to any single style, my work reflects an ever-evolving organic synthesis of mixed media including found objects, recycled material, printmaking, photography, painting, drawing, poetry and encaustic and aims to reveal our original source—a peeling back, if you will, to reveal our deepest truth.  By means of building up and breaking down, texturing, and layering, my work seeks to scratch the surface of true human nature and often addresses social, political, environmental and spiritual matters.

Cloaked in abstraction, stark horizons split the work into two fields, one above the other, and refer to a more spiritual landscape highlighting the energetic alignment of subject to source, but more abstractly represent the link between science and spirituality. Although the element of “line” is prominent in the work, the found object framework and carefully arranged recycled elements also play a significant role.  And, underpinning all the work is a constant theme—the intention to evoke spirit and inspire alchemy—the transmutation of the mundane into magic."

Oh! Oh! Oh!

Don’t you love it when you have an idea for a piece and you Google the technique to get started and an amazing artist pops up in the search?

I Googled how to slipcast twigs and the work of Dawn Stetzel came up in the search. Intrigued by the poststamp sized  image on my screen I clicked on  her blog post about her MFA thesis show.

What a beautiful show!

It addresses many of the same themes which resonate with me as an artist. Nature, twigs, earth, eggs, leaves – all rendered with a delicate strength and pared down elegance.

To see the entire show and read her full statement CLICK HERE

Tower is a precarious structure about the vulnerability that comes from needing support from other humans in order to survive. Tower begins with thin, almost transparent, porcelain slip-cast leaves, each oval leaf with an individual pattern of delicate veins. Numerous leaves are placed, one-on-top-of-another, to create a precarious, six foot tall, towering stack of white leaves. The instability of the tower is enhanced by the undulation of the leaf column and its placement high overhead. The structure supporting the leaves is sparse; it begins with a minimal platform of thin, spindly twigs attached to the wall, and continues upwards with a few twig pegs jutting out of the wall for additional brief support. The platform and pegs create a structure which makes the propped up stack of leaves possible, but just barely. A thin-shelled, warmly toned, porcelain egg perches atop the teetering stack. The egg is so far out of reach and similar in color, that it is almost not visible, requiring careful, or sustained observation in order to see the partially camouflaged egg. The leaves create a fragile landscape in which the egg may rest, but not a completely safe place to rest. The survival of the stack, thus the egg, is in peril.

Fragile Environments

I remember myself at nine years old, on a warm summer day, walking through a dense, moving carpet of seven hundred and fifty yellow goslings at my neighbor's apple orchard. The goslings' fuzzy, delicately small bodies, huddled together, creating a widespread layer of fragile life. My steps were careful as I walked within this sea of life, and at the same time, the goslings responded to my movement through their mass. The awareness, and the quiet, gentle responsive motion between the goslings and myself, continues to inspire and influence my work.

While installing my show in Philadelphia I visited Eastern State Penitentiary, a Quaker prison opened in 1829 and decommissioned in the 1970s. When it was built it was a radical break from the prisons of its time. Its Quaker founders believed that silence, spiritual reflection, hard labor and solitude were the keys to true change within prisoners.

The prison was a popular tourist destination throughout the past two centuries and remains one to this day.

What is remarkable about this historic site is that they invite artists to submit proposals for installations. Installations have varied greatly, some have dealt with criminal issues, some have been responses to the physical space itself or to the history of the prison.
 I was fortunate enough to be given a tour by Francis Dolan, the site manager. The space is at once eerily beautiful and chillingly haunting in its decrepitude. I honestly had a hard time finishing the tour.

Below are some snapshots of the prison:

The interior of a cell

A cell with a video installation by Alexa Hoyer, the television screen shows excerpts from seven decades of prison films, challenging the viewer to re-examine their notions of prison life

The greenhouse

An abandoned hallway

This piece by William Cromar I found especially chilling. He recreated in authentic detail a cell at Guantanamo Bay. It was a shameful moment as an American to view it- the two five gallon buckets, the paper thin mat on the concrete floor, the lack of running water or privacy...

An installation of suspended shards, that act of decay caught in mid air.

One of my favorites, Linda Brenner's installation of 39 Ghost Cats, referencing the feral cat colony that took refuge in the prison after 1971.

This is the intrepid site manager, Fran Dolan, who generously braved chilly winds to play tour guide and answer my many questions. He is standing in front of a small sunken courtyard which really captivated my imagination. I have been mulling my proposal over in my mind in every spare moment and I can't stop imagining huge piles of porcelain bones on this site....

I am now thoroughly convinced that all of my electronic devices are meeting secretly under my bed at night to conspire!

As my modem has died I am now at a free WIFI spot, sipping tea and answering e-mail and updating my blog.

I have managed to get to several shows the past few weeks all over DC and must say I am intrigued by what young artists are producing today.

I popped into Art Whino last Friday, a fun gallery at the National Harbor which features work by hip young artists, " innovators of the New Brow Art otherwise labeled Pop-Surrealism, Lowbrow and Urban Contemporary".

While perusing the display of graffitied sneakers and skateboards I  spied a show along the left side of the gallery entitled Quiet Little Stories, by Graham Franciose, an illustrator based in Colorado. These small, intimate ink and oil paintings alternately drew me in and pushed me away. They are the embodiment of the modern fairy tale- using fantasy to explore social themes of isolation, trust and distrust, sadness and happiness, apathy and caring. I am not normally drawn to this style of illustration but I found them oddly compelling and spent a great deal of time examining each small canvas.

I also love the fact that the artist invited viewers to write their own stories about each piece, with the stories to be used later in a project along with the images. What a great way to involve the viewer and to invite further thought about the works, which each managed to convey a single mysterious moment in an ongoing narrative.

Below is the show statement:

Relatable and honest, Graham's works are some of the most gentle, yet emotionally evocative works ever featured at Art Whino. His imaginative illustrative paintings are small in size and big on emotion, each depicting its own little narrative, often dreamily reminiscent, reaching deep into the human condition and showing us all little pieces of ourselves along the way.

The exhibition will go beyond the typical gallery experience, letting the viewer in on the action with an interactive story-writing component. The artist will invite viewers to share their take on the images with little written thoughts and stories that will be added to the walls along with the works.

Location: Art Whino Gallery

173 Waterfront St.

National Harbor, MD 20745

  I also went to an opening at another new gallery in DC, the Fridge DC. It is located down an unmarked alley in south east DC. We were at a loss, standing on an extremely cold and dark street corner, trying to call up Google maps on our phones when we saw three people, dressed in black  and carrying cases of wine duck into a nearby alley. Wisely following them, we emerged into an empty lot with a building covered in murals.

The show was entitled Uncle Cory's Art Show! I've never been to such a packed opening, there were hundreds of people jammed into the space, talking, laughing and enjoying the live DJ. Oh, and looking at what art that could be seen through the huge throng of bodies...

Below is text from the gallery website for the show:

Cory Oberndorfer has invited some friends to come play with him  at The Fridge for Uncle Cory's Art Show!  The result is a collection of works that illustrate  what happens when an adult's innocence  is lost but the sense of childhood play remains. While a common thematic thread exists, each artist  approaches it with their own unique flair. Megan Blafas plays with dolls. Megan is a Washington, DC artist who creates  figurative collages and assemblage sculptures.  Her small-scale work is inspired by found  object and DADA artists, Hannah Hoch a nd Baroness Elsa von Frietag Loringhoven.  Megan’s plush collages are created by  jumbling vivisected stuffed animal parts  and reforming them into unique  mythical creatures. Davis McLane Connelly likes bunnies and teddy bears. Have you ever wondered what kind of lives  your toys lead when you are not around?  Davis Connelly has the answer.  His masterful drawings illustrate the  inner turmoil of stuffed animals at their  most vulnerable moments. Davis is a  Brooklyn artist. His realistic drawings  often contain soft children's toys within  dimly lit interior home settings.  Davis holds a Bachelor's degree in  Psychology and is the Director of  two programs for youth in New York City. DIABETIK melts peeps for s’mores. Whether it is bitten, broken or dropped,  no sweet treat is safe from DIABETIK,  whose work has a ubiquitous presence  on the streets of DC. For Uncle Cory's  Art Show, DIABETIK focuses on the  most overexposed of pastry trends –  the cupcake. Amy Misurelli-Sorensen was a  catholic schoolgirl. Proving that appropriate behavior is  in the eye of the beholder, the drawings  of Amy Misurelli-Sorensen depict  young schoolgirls in a genuflection pose.  Removed from outside context, these  pious girls may be viewed as naughty or nice.  Amy’s work, which she calls  “drawings concerning piety, hypocrisy,  depravity and subversion” are  distorted images of female sexuality  imposed by an Italian Catholic upbringing. Cory Oberndorfer knows  how many licks it takes to get to the center. In a society that color types gender,  Cory Oberndorfer emasculates  our finest soldiers. His graphic  pop style gives us pink plastic army  men engaged in the heat of battle.  Cory is an artist best known for his  colorful paintings of rollergirls and candy.  The presentation of his figures questions  traditional gender roles. He is a grown man  with careers as a professor and an artist,  but his inner child still gets excited by  candy shops and the opportunity to play with toys. As a child of the seventies, I especially liked the meticulous chalk pastel and charcoal drawings by Davis Connelly of well known puppets, seemingly captured in their daily lives away from the set... I find what young artists are doing today can be fun and provocative, often all at the same time. In this exhibition Cory Oberndorfer, the curator, has created an energetic, thought provoking show.

I apologize for the lack of posts. All of the machines in my life have apparently been meeting secretly and planning a massive revolt!
As you know, my laptop died a few weeks ago. Last week my phone beeped it's last beep. And on the same day my Internet modem joined the resistance and refused to connect. Skynet, I'm onto you!
On the good news side, I got a long coveted IPhone to replace my battered Blackberry. Just walked right into the store and bought one and was happily surfing for cool apps 10 minutes later. Which is how I am sitting in a waiting room and blogging all at the same time. Yayy!
I spent Saturday in Philadelphia installing a piece in a show called ACDCPC, curated by Cheryl Harper. She chose my piece " Waiting". I will have to embed a link later as this app, cool as it is, won't let me embed links.
The piece is composed of 400 pounds of porcelain bones stacked in a nest form, cradling an egg. This piece was inspired by a trip to the Galapagos Islands I took in 2008.
The line between survival and death is razor thin there and the tenacity of the animals who DO survive, and even thrive there, was humbling. On one rocky island there lived an entire flock of flightless cormorants. Having lost their ability to fly they now live on fish caught by diving in the ocean. As the island they live on consists of bare rock and nothing else they have adapted by building their nests from intertwined seaweed,driftwood and bones. I thought they were such an inspiring symbol of resiliency and resourcefulness. And that life goes on.
The piece is approximately 3 feet tall.





- Posted using BlogPress from my iPhone

My absolute favorite thing to do in NYC is to visit the Metropolitan Museum.
For someone who did their studies in ancient civilizations and archaeology, it is the the proverbial candy store.

One of my favorite things about this museum is their collection of ancient Egyptian artifacts.  I find it  riveting to look at objects from everyday life and to imagine who might have made them and what their daily lives were like.
I look at a pair of woven sandals woven 4000 years ago and can't help but wonder about who made them: what were they like, short or tall, funny or dour, where they might have gathered the reeds, was it a sunny day or overcast when they wove them, where they might have had their workshop in the city, what they ate for lunch the day they wove them- the questions are endless!
I especially love it when you examine a clay object and you can see the maker's fingerprint still preserved in the clay after all of these thousands of years. It is  simply dizzying to imagine all of the millions of people born since- and none have had the same fingerprint.

Below are some of my favorites, all buried in ancient tombs in order to help the dead with tasks in the afterlife:

The aforementioned sandals

Linen sheets were an essential household item often included in tombs. They ranged in quality from a rough, almost burlap texture to the finest weave of tiny threads. The ones shown here were found perfectly preserved in their white linen chests.
Some tombs have been found with thousands of sheets within them.
Oh what I would give to touch one!

I'm always intrigued by the ubiquitous boat models found in tombs. I have dozens of pictures of boat models that I have taken in museums in Europe and in the US; I find the curves of the boat to be simple poetry.  I have sketches based on these boat forms for a large installation piece

involving a body of water.

These are models of various buildings that were found in tombs. The slaughterhouse was quite disturbingly authentically detailed, down to the bright crimson splashes of blood, so I will spare your sensibilities and show the lovely garden. This piece gives me ideas...hmmm.....

This oval woven basket is filled with tiny clay bowls of seeds ( which ALSO gives me ideas for a large installation piece. Sigh. So many ideas, not enough time, the lament of EVERY artist!)

 Ever since I read that scientists have planted seeds that they found in Neo-lithic tombs and have had them sprout I always want to see what would happen if you could only swipe a few and pop them in some dirt...

A recreation of the wigs worn by the aristocracy.

Not quite as sexy as Liz Taylor made them look in her 1950's Hollywood glam version of Cleopatra!

And the crown jewel of it all, The Temple of Dendur, given as a gift from the Egyptian government to the United States when it would have been destroyed during the building of the Aswan Dam. Dismantled and reconstructed in its entirety in a special building designed to house it,

it literally takes your breath away

as you cross over the moat

and through the ancient stone entryway.

Bergdorf Goodman Christmas Holiday Window Display 2009:

I'm finally back from the holidays! A little delayed in blogging again as my laptop was the unfortunate victim of a tidal wave of water in the studio. It had been a bit sulky  and finally breathed its last death rattle right before the holidays. On the one plus side, I now have a new shiny Macbook Pro with a 15 inch screen. No more squinting-yay!!!

For Christmas Chris surprised me with train tickets to New York City and we spent several days there  right before the New Year.  The cold was just brutal, 8 degrees below with 50 mph winds. Guess I'm glad I gained those five  holiday pounds or otherwise I would have just blown away, al a Mary Poppins! Minus the cute talking parrot umbrella of course. And those really cute boots.

We began our afternoon in NYC by wandering through Central Park, almost a 1000 acres of lakes, bridges, fields and magnificent old trees. If you've ever wondered " Does it really look like that?" while watching a movie, yes, yes it does. But even prettier if that is possible. Just try not to get run down by the

never ending line of carriage horse, plodding gamely along, nose to tail.

We emerged from the park onto 5th Avenue.  Wow!

One of the absolute best things about  NYC at Christmas time are the truly amazing window displays.  Bergdorf Goodman's had the most gorgeous, intricate and just plain jaw dropping tableaus of fantasy. They were so fantastical that people were jammed up 20 deep on the sidewalks surrounding the entire block, staring up at the windows in awe.

This year's BERGDORF GOODMAN holiday window display was entitled A COMPENDIUM OF CURIOSITIES. It featured a wild cast of characters, tinged with op-art and references to M.C. Escher, paradoxical points of view, vintage Victoriana, laced with Lewis Carroll "Alice" books. (information from the BG website).

Bergdorf Goodman Christmas Holiday Window Display 2009: 

A COMPENDIUM OF CURIOSITIES

Reflected Serenades and Meticulous Metronomes. Every surface is mirrored, including ceiling and floor. Mirrored lion and unicorn stand guard.

Potions Imbibed and Perspective Rearranged. A myriad of miniature staircases form a mind-bending backdrop. The girl reappears several times, miniaturized to fit each room.

Improbable Lodgings and Feline Mischief. A miniature Victorian mansion, complete with white rabbit tenant. A Cheshire cat observes from the wings.

Afternoon Amusements and Sovereign Gambits. A bird's-eyeview of a tea party in progress, with Bridge, Chess and Backgammon providing diversion for a quartet of Royals.

Illogical Lexicons and Convivial Characters. This window is made entirely of paper, including the architectural trimmings and furniture. And the hedgehog!!

Also loved the Saks Fifth Avenue building which was covered in enormous lighted snowflakes that merrily flashed off and on to the tune of  " Carol of the Bells". This one was so popular there were literally hundreds and hundreds of people in the streets stopping to watch.

Click Here for You Tube Video

More to come tomorrow!